Ingmar Bergman’s enigmatic masterpiece still shines with a piercing intensity after 50 years.
Hugh Jackman brings boundless energy and enthusiasm to this crowd-pleasing circus musical.
Jessica Chastain plays real-life high roller Molly Bloom in this goofy gambling drama from Aaron Sorkin.
The final film in Kay Cannon’s trilogy about a group of singing friends is more awk-apella than a cappella.
Dwayne Johnson and co enter a virtual wilderness in the ’90s reboot nobody asked for.
By Anton Bitel
There’s shades of Nicolas Roeg’s Don’t Look Now in this twisty mystery thriller from writer/director Gary Sinyor.
Nikolaj Coster-Waldau does hard time in Ric Roman Waugh’s woefully misjudged prison drama.
By Joe Boden
This visually arresting documentary asks why we climb, but doesn’t offer any satisfactory answers.
Jia Zhangke’s ambitious, multi-stranded romantic epic features a stunning central turn from Zhao Tao.
Rian Johnson serves up the most spectacular, emotional and weirdest Star Wars film to date.
Ai Weiwei’s nuanced and fascinating portrait of global migration is one of the year’s most important films.
Paul Thomas Anderson’s latest is a swooning, masochistic love story set in mid-century London. It might just be his best film...
David Gordon Green teams up with Jake Gyllenhaal to bring us a biopic that’s harder, better, faster...
It’s a Franco bros two-for-one in this madcap making-of yarn about Tommy Wiseau’s The Room.
By Joe Boden
Director Lisa Immordino Vreeland offers a glossy and superficial profile of photographer and socialite Cecil Beaton.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
