Debra Granik’s long-awaited follow-up to Winter’s Bone is a hushed masterpiece.
Eva Husson’s timely ode to female resistance and survival sees an all-female Kurdish battalion take on ISIS.
Luis Ortega’s portrait of a real-life Argentinian serial killer makes for a fascinating character study.
By Ella Kemp
This passionate debut from Camille Vidal-Naquet boldly challenges our perceptions of male sex workers.
China’s foremost auteur Jia Zhangke returns with a stirring and constantly surprising social critique.
Obscure doesn’t even begin to cover the intractable delights of the latest cine-sortie from Jean-Luc Godard.
This eloquent and expressive gay romance from Christophe Honoré is one of the director’s finest achievements.
This shapeless, drama-free dirge through the rock scene in 1980s Leningrad has no place in the Cannes competition.
This miniature monochrome epic from Pawel Pawlikowski is a extraordinary piece of cinematic craftsmanship.
This sweet but slight Egyptian road movie follows a leper and an orphan on the road to self-discovery.
Embrace of the Serpent director Ciro Guerra returns with a full-bore narco saga set in rural Colombia.
Asghar Farhadi returns to Cannes with a slowburn domestic drama about secrets, lies and unsettled scores.
Legal action could prevent Terry Gilliam’s passion project from premiering at the festival next month.
Terry Gilliam’s epic passion project is set to receive its world premiere on 19 May.
The French provocateur will be joined by Ciro Guerra and Debra Granik at the 2018 Cannes Film Festival.
Jean-Luc Godard, Spike Lee and Alice Rohrwacher are set to compete for this year’s Palme d’Or.
Everybody Knows is set for the coveted opening slot of the festival on 8 May.