Cannes Film Festival

Julieta – first look review

By David Jenkins

Pedro Almodóvar is back to his peak with this sumptuous and remarkably subtle Cannes competition entry.

Raw – first look review

By Ed Frankl

Julia Ducournau’s French campus cannibal horror serves up plenty of food for thought.

Loving – first look review

By Sophie Monks Kaufman

Jeff Nichols makes it five-for-five with this gently stirring drama about an interracial couple in ’50s America.

From the Land of the Moon – first look review

By Sophie Monks Kaufman

Marion Cotillard shines in this uneven but soulful meditation on marriage and depression.

Paterson – first look review

By David Jenkins

Another stunner from Jim Jarmusch starring Adam Driver as a bus driver who pines for a life of poetry.

My Life as a Courgette – first look review

By Elena Lazic

This stunning stop-motion animation set in an orphanage is as witty and insightful as it is quietly shocking.

Endless Poetry – first look review

By David Jenkins

A poet is born in this autobiographical epic from Chilean maverick, Alejandro Jodorowsky.

The Transfiguration – first look review

By Manuela Lazic

A realist vampire flick from a first-timer drops into the Cannes official selection. The results are mixed.

The BFG – first look review

By Sophie Monks Kaufman

There’s a dash of old-school movie magic in Steven Spielberg’s whizzpopping family fantasy.

Toni Erdmann – first look review

By David Jenkins

One of the great Cannes competition films of recent years comes from a little-known German director.

Neruda – first look review

By Sophie Monks Kaufman

The great Pablo Larraín delivers a stirring, soaring portrait of Chile’s most treasured poet.

Slack Bay – first look review

By David Jenkins

Director Bruno Dumont invites us on a French sea-side holiday with a macabre twist.

#CannesSoMale? Not So Fast…

By Sarah Jilani

The Cannes Film Festival is slowly but surely setting out to promote gender equality, and others will follow.

I, Daniel Blake – first look review

By David Jenkins

Ken Loach returns to Cannes with a ranty anti-government, anti-bureaucracy screed. Not all of it lands.

Staying Vertical – first look review

By Sophie Monks Kaufman

French director Alain Guiraudie follows up Stranger by the Lake with another alluring and elliptical thriller.

Sieranevada – first look review

By David Jenkins

One of the progenitors of the Romanian New Wave returns to the Cannes competition with a rambling family drama.

Café Society – first look review

By Sophie Monks Kaufman

Despite an effervescent Kristen Stewart, Woody Allen’s frothy period comedy fails to deliver a coherent message.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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