Cannes Film Festival

Green Room – first look review

By Adam Woodward

Blue Ruin director Jeremy Saulnier delivers another consummately crafted backwoods thriller.

Mon Roi – first look review

By Adam Woodward

Vincent Cassel and Emmanuelle Bercot find a (not so) groovy kind of love in Maïwenn’s drab relationship drama.

Mia Madre – first look review

By Sophie Monks Kaufman

Nanni Moretti’s chronicle of the death of a filmmaker’s mother is continuously out of thematic focus.

Amy – first look review

By Sophie Monks Kaufman

Asif Kapadia’s melodramatic portrait of the late jazz singer fails to hit all the right notes.

Carol – first look review

By David Jenkins

Todd Haynes lights up the Croisette with this exemplary lesbian romance starring Cate Blanchett and Rooney Mara.

One Floor Below – first look review

By Sophie Monks Kaufman

Romanian New Waver Radu Muntean delivers a superlative twist on the murder mystery genre.

My Golden Days – first look review

By David Jenkins

The new feature from Arnaud Desplechin is a rite-of-passage masterpiece.

The Sea of Trees – first look review

By Adam Woodward

A powerhouse turn from Matthew McConaughey isn’t enough to save Gus Van Sant’s sappy suicide drama.

In the Shadow of Women – first look review

By David Jenkins

The 2015 Cannes Director’s Fortnight strand opens with a magnificent miniature from Philippe Garrel.

Standing Tall – first look review

By Sophie Monks Kaufman

Emmanuelle Bercot kicks off this year’s Cannes in blistering style with this sensitive delinquent drama.

Tale of Tales – first look review

By David Jenkins

Salma Hayek chows down on sea monster heart in Matteo Garrone’s riotous fantasy triptych.

Goodbye to Language 3D – first look review

By David Jenkins

Jean-Luc Godard shakes up the 2014 Cannes competition with a dazzling 3D dirty bomb.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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