By Ed Gibbs
Andrew Haigh’s beautifully crafted latest follows one boy’s journey of self-discovery across America.
By Ed Gibbs
William Friedkin revisits his Exorcist franchise with a bizarre doc grounded more in melodrama than cold hard fact.
By Ed Gibbs
Alexander Payne’s gentle satire has a point to make about the state of the union – and the future of planet Earth.
Natalie Portman gives a stunning central performance in this emotional portrait of the iconic First Lady.
Cannibals and Keanu Reeves abound in Ana Lily Amirpour’s crazed vision of post-society America.
There’s shades of Lars von Trier in this exquisitely crafted period piece from director Stéphane Brizé.
By Ed Gibbs
The cult filmmaker shares stories and archive from his childhood, while still managing to remain as elusive as ever.
By Ed Gibbs
Andrew Dominik’s documentary about Nick Cave’s new album offers a gentle, haunting portrait of a family consumed with grief.
Mad Mel returns to the director‘s chair, preaching pacifism in a church whose walls are splashed with gore.
By Ed Gibbs
Paolo Sorrentino transitions to the small screen (with a Jude Law assist) and comes up trumps.
François Ozon returns with a full-bodied tale of stunted romance and the pained legacy of warfare.
By Ed Gibbs
This Australian chiller about a rash of grisly murders makes a play to be the new Snowtown.
The star-spangled tag team of Michael Fassbender and Alicia Vikander can’t save this ludicrous period weepie.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
